Comparsion and Contrast the Welcome Story and What Its Like to Be a Black Girl Essay Example

Comparsion and Contrast the Welcome Story and What Its Like to Be a Black Girl Essay Example Comparsion and Contrast the Welcome Story and What Its Like to Be a Black Girl Essay Comparsion and Contrast the Welcome Story and What Its Like to Be a Black Girl Essay Essay Topic: The Black Monk Trying to Fit What do you make when you feel like you merely don’t tantrum in with the society you live in? Since the beginning of clip inkinesss adult females. have been recognized as adult females who don’t fit the traditional ideal of beauty. A adult female of colour comes in all different sunglassess of tegument tones Caramel. Golden bronze. Cocoa brown and Dark brown. Their hair comes in a quite few different textures. from tight as a thick gum elastic set. to curve approximately thick as your little finger finger. Most people describe black adult females natural afro textured hair as kinky. spiraled. fizzy or crisp. During the slavery-era to the early 1900’s black adult females in America. went from cornrows. plaits and other natural manners. Some grounds for this as I grow up acquiring Perms known as consecutive hair was a mark of category and Nappy hair was a mark that you were hapless. With segregation no longer being an issue. inkinesss were now free to work their ma nner up in American society. but they still faced white racism. Whites’ people saw black people skin characteristics as a mark that one is given to being sexual active. force and lacking in intelligence. Many inkinesss lightened their tegument and straightened their hair to look more acceptable to Whites in order to acquire in front. When it comes to black adult females telecasting shows. demo how society should be in the eyes of T. V. and its monkey see monkey do from at that place. Black adult females have been villianized on telecasting. They are portrayed as place wreakers and babe mama with several different pas or the lowest criterion. If you of all time see a successful adult male on telecasting he is non allowed to be portrayed with a black adult female. If you watch a music picture. the star of the picture will non be shown with a black adult female with apparels covering her organic structure. The media would non wish to high visible radiation the qualities of black adult females because the executives behind the scenes aren’t black work forces. The end is to do white adult females appear to be the best and highest quality of adult female that Barbie. For this ground you will see interracial relationships between every famous person jock and the non a black adult female of their pick. At this point a white adult female on your arm represents she is ace smart and really successful. Some people won’t autumn perfectly for the trap and be with a white adult female. but they still won’t marry a black adult female. Black adult female is demanding a new set of female definitions and a acknowledgment of herself of a citizen. comrade and intimate. non a matriarchal villian or a measure stool baby-maker. Role integrating advocates the complementary acknowledgment of adult male and adult female. non the competitory acknowledgment of same. ( duke. edu ) The strangest thing about this stereotype state of affairs is that many white adult females travel to tanning booths frequently to acquire a caramel skin color of an African descent tegument. Who created the monster of favoritism and Why? A inquiry we will neer cognize. Discrimination based on skin colour. or colorism. is a signifier of bias or favoritism in which human existences are treated otherwise based on the societal significances attached to clamber colour. ( Wikipedia. com ) The Welcome Table is a narrative that is filled with spiritual symbolism. Religion is the subject of this narrative. This narrative is digesting in the sense that it shows the strength and belief an old black adult female had to face during her tests and trials. What it’s like to Be a Black Girl is a verse form that gives the reader an inside position into a immature black girl’s passage into black woman-hood at a clip where being a black miss and being a black adult female was non as welcomed. In these two literary plants. although the similarities aren’t rather the same they still have the same construct. In the short narrative The Welcome tabular array you have a narrator’s point of position and What It’s Like To Be A Black Girl’ . you have the existent writer of the verse form giving her point of position from sing how things where. Although there is a cultural difference it still involves race and how it affects a one individual’s manner of feeling and the mentality from person else’s visual aspect. The Welcome Table was a short narrative whom was written by Alice Walker. She was born on February 9. 1944. in Eatonton. Georgia. Alice Walker is one of the most admired African American authors working today. She studied at Spelman College. Atlanta. and Sarah Lawrence College. New York. so worked as a societal worker. instructor. and lector. She has taught gender surveies courses at Wellesley College and began one of the first gender Surveies plans in the United States. Her publications include verse forms. short narratives. and novels. She continues to compose. researching life state of affairss through the eyes of African American adult females and recommending ways to near challenges of sexism. racism. and poorness in American life. She took a brief interruption from her authorship in the sixtiess to populate in Mississippi and work in the civil rights motion. returning to New York to compose for Ms. Magazine. Alice Walker won the 1983 Pulitzer Prize for Fiction for her 1982 novel. The Color Purple. and is besides an acclaimed poet and litterateur. This short narrative had a really compelling secret plan which is described in our text book as A dynamic component in fiction. sequence of interconnected conflicting actions and event typically construct to a flood tide and convey a declaration. ( Clugston. 2010 ) The first portion The Welcome Table is told in the 3rd individual and switch the point of position from which the narrative is told. The beginning of the narrative is told from the white people’s positions as they see an old black adult female. The writer goes on to depict the expression of the old religious adult female who eyes were bluish –brown in colour and where about blind. The old woman’s Sunday clothes high polished places. rusty mold frock. and an elegant silk scarf stained with lubricating oil from her pig-tails. ( Clugston. 2010 ) She walked many stat mis. entirely in stop deading cold until she came upon a church all sweaty and clammy. It was a church merely for white people. She stopped on the sta irss of the church to rest before traveling indoors. When she went into the church. the clergyman stopped her by stating Auntie. you know this is non your church? The white people are at a loss when they see her near the entryway of the church and do non cognize what to make. Some would hold taken her in from the cold. But other justice her visual aspect makes some of the white people think of black workers. amahs. cooks ; others think of black kept womans or jungle binges. Still others think that she is a foreshadow of what is to come – black people occupying the one topographic point that it still considered the white person’s sanctuary. their private church. As the old lady sat down on the church prewe chairs the old lady was sing in her caput. The white adult females inside the church. who take it as a personal abuse and experience the most threatened about the old black lady being at their church. they rouse their hubbies to throw the old lady out. Still sing in her caput now a sad vocal. the old lady looked down the route and seen Jesus and died on the side of the route. ( Clugston. 2010 ) Visualize anything other than that of an old hapless lady being mistreated by racism. After reading and experience feelings of compassion when the writer describes the nameless old woman’s visual aspect and hygiene as she tried to come in the church. From the word picture expressed throughout the narrative of this narrative. one could feel that this short narrative was created from the personal experiences or from seeing others who went through. The strangest portion of the narrative is when the curate call her aunty. either she was the nanny kid who grow up with the pastor’s female parent or male parent? Who they must had see her as household without people cognizing. What it like to be a black girl is a verse form that was written by Patricia Smith. She was born in Chicago in 1955 presently lives in Howell. NJ. She is a four-time single National Poetry Slam title-holder and appeared in the 1996 documental SlamNation. an American poet. former journalist. dramatist. writer. composing instructor. and spoken-word performing artist. She has published verse forms in literary magazines and diaries including TriQuarterly. Poetry. The Paris Review. Tin House. and in anthologies including American Voices and The Oxford Anthology of African-American Poetry. She is on the modules of the Stonecoast MFA Program in Creative Writing and the Low-Residency MFA Program in Creative Writing at Sierra Nevada College. ( Wikipedia. com ) In this verse form the writer is stating this narrative in 3rd individual omniscient the verse form tells the narrative of a immature black miss exploring and sing the alterations to of her organic structure. Now get downing to develop in many countries to go a black adult female she feels like something is incorrect with the manner she looks. The writer uses jaggy sentence construction and strong linguistic communication to besides demo the reader the importance of this verse form. The author gives the audience an insider’s position into a immature black miss universe who is experiencing like she is one of the most ugly individual on Earth. It’s dropping nutrient colourising in your eyes to do them blue and enduring their burn in silence. ( Clugston. 2010 ) This poem speaks of the immature miss altering her image by puting bluish contacts in her eyes. It’s starting a faded white mophead over the cricks of your hair. The author is talking of the immature miss seting a Perm on her hair to straight out her hair. I respect the author’s contemplation of the nine old ages old miss feeling and seeking to repair everything about herself that the universe tells her is incorrect. The unbending out her hair because being black left you with kinky. curly. crisp hair. . the contacts you wear. the things you do to do yourself look more like the beautiful. blonde-haired. fair-haired white miss. the telecasting have protrude as beauty. When you’re nine. you shouldn’t experience these things are necessary because you haven’t to the full developed yet. Primping in forepart of the mirrors that deny your reflection ( Clugston. 2010 ) Is something many hapless adult females did. but for the black adult female in the 1950s it was about utilizing imperativeness combs and doing outfits to suit in and non being some negro adult female. pulling attending to herself. I feel for the writer wrote this verse form in seeking credence from others. In my decision. the chief character in each of the narratives is a protagonist black female who both battle with seeking to be accepted in society due to the colour of their tegument. Being different is all about how you handle the state of affairs. When one thinks their better than one race that’s when being different is a job. Comparing these two narratives there is racism and favoritism they had to face. Both narratives express the finding of one adult female and one immature miss who survive through all hardship. The writers speak of the adversity one adult female and one immature miss had to face and suffer. Understanding the fright. battle and those adult females of colour went through during this clip and now. Bing different is what God made us. No one individual is precisely the same even if the universe was one colour. Mention 1. Clugston. 2010 2. Wikipedia. com 3. duke. edu 4. poet. org 5. wordwoman. Ws 6. ehow. com 7. Literary Cavalcade ; Feb2003. Vol. 55 Issue 5. p32